There are these things I do. These are my favorite things. I speak them,
dance them, write them, perform them. I am these things. These things,
rest here.
BIOGRAPHY
Doc is a continuing performing artist, writer and director. His early days in the Arts were religiously spent studying poetry and performing in the Florida theatre community at venues, such as: StageCrafters, the Corner Pocket Theatre, Seaside Repertory Theaatre, and the theatre departments of both The University of West Florida & Northwest Florida State College while serving in the USAF. After the military, he served as a principal dancer & drummer with the Ayolowa West African Dance Company, and soon moved to NYC on the acceptance to the Atlantic Theatre Conservatory; however chose to jumped right into the professional theatre scene immediately. His work in NYC consisted of working as a Stage Manager, in talented agencies, and other freelance projects. His NYC acting credits included tours and in house productions with companies like the Interborough Rep and Brooklyn Arts Exhange, and a hand full of smaller feature and short film project rolls. After a stint back down south, he later returned to NY to serve as the Producing at the Forestburgh Playhouse. Since then, Doc has spent his time producing a number of performance projects and one-man theatrical productions. He's developed original curriculums, performances, and workshops for a number K-12 schools, universities and organizations. He's made a theatrical home in Atlanta by working with the Fly-By Theatre Ensemble and the popular 7 Stages Theatre on a number of projects. His career has spanned to national television, and he most recently served as the Executive Artistic Director & Founder of an Alabama nonprofit Arts organization called The Layman Group. While leading the organization he directed a long list of artistic productions, to include: original and contemporary theatre productions, fine art exhibits, contemporary dance productions, TEDx performances, multimedia projects, public art showings, original music series.
A little word on what's moving and shaking on my landscape...
NEWS
THURSDAY - MAY 3
It's here, folks!
My new web series project, "On Beauty with Doc Waller," has officially gotten on its feet. I'm really excited about this new adventure. It's a very creative project with a great deal of social value. Those are always the best projects to be a part of!
MONDAY - APRIL 9TH
As of recently, plans are to make my way back to the Atlanta area to sink my teeth back into the theatre community. However, my main project will be the production of an original web/tv series. I won't reveal too much just yet. However, you can expect a trailer and promo to be released from the series within the next few weeks!
Sunday - APRIL 8TH
Looks like I'll be making a few more regular local workshop appearances (Truman Pierce Institute & Sanford Middle School) over the next few months before I transition out of Alabama.
Sunday - APRIL 8TH
New short film idea has sprouted and looks like we'll be shooting on Friday.
What a learning experience for our students, as well as an emotional
roller-coaster ride for all in attendance.
THROW PITCHFORK
"It was a GREAT pleasure to see your work in THROW PITCHFORK at Columbus State University's Theatre-On-The-Park. Your ability to so completely and seamlessly inhabit these many divergent characters within a "dysfunctional" family, and to embody them with such imaginative and specific physicality, was a great boon to our theatre students lucky enough to see it. What a learning experience for our students, as well as an emotional roller-coaster ride for all in attendance."
Steven F. Graver
Associate Professor
CSU Department of Theatre
THE LITTLE PRINCE
"The production begins with actor Doc Waller rushing on the stage to give a quick but spirited introduc-tion to the play. Both lively and funny, Waller jokes with the audience, warning that actors would take and pawn cell phones should they interrupt the show. And with the presiding comedic element of the atmos-phere set, Waller quickly runs back off stage in preparation for the next hour and a half...
Popping into the play in an array of smaller roles is Doc Waller. While these lesser parts could become trivial, Waller's funky costumes, '80s dance moves and overall outlandish acting provide such a hilarious performance that he becomes the very epitome of comic relief and is an instant audience favorite among children and adults alike. Waller's brilliant comedic style creates an interesting and important contrast with the story's more serious and philosophical tone."
Tammie Smith
The Emory Wheel
THROW PITCHFORK
"Amazed..."
Keith Hill
KeithKnows.Net
THROW PITCHFORK
"Performed on a mound-shaped set meant to suggest the undulating sands of the Sahara and the curvy contours of the various planets the Little Prince visits, the play boasts some fine character work by the de-lightful Doc Waller (as the fox, the geographer, etc.)"
Wendell Brock
Atlanta Journal Constitution
FLY'N WEST
"Waller delivered a stunning performance. He was very convincing in his role as a man who ruled his marriage with an iron fist. Many people cannot easily play the role of a villain whom, by the end of the performance, viewers feel sorry for rather than despise."
Kathy Ortiz
The Voyager
TEACHING ARTIST REVIEW
"He made a major impact on the students, opening some of them up in ways I had never seen before, making me realize what it takes to get those certain students involved. This is the most important part of teaching, the reaching of 'all' students. He had a few students come up to present their own works, after they had had the opportunity to watch him perform. He did not simply allow them to de-liver a monotonous performance, but he stopped them in media and corrected them, making them start their delivery over, teaching them about inflection, posture, and tone. The secret was in the way he made them en-joy the experience with his exuberance and undeniable presence. What resulted was an absolutely enjoyable experience to the student involved and for the audience, which was certainly captivated.
I recommend 'Doc' Waller without any reservations. Although my classes are writing classes, he made the classes realize the difference in works read by T.S. Eliot vs. Langston Hughes, two writers we are currently studying. They will certainly have new material to use in their assessment of these works. Words on a page are dead, until they are brought to life, or not, by the reader. This has taught my students that works with voice and real purpose come alive when read by the right reader. "Doc" Waller is certainly the "right" reader. He might even be able to wake up the words of Eliot - and when you can wake the dead, you have 'schmaltz'."
John (Johnny) Shelly Summerfield Jr.
Asst. Professor of Writing
Columbus State University
PROGRAM DIRECTOR REVIEW
"Doc worked with the art program of the Boys & Girls Clubs of Greater Lee County as the Director of Perform-ing Arts. He was directly responsible for designing and implementing a Performing Arts tract within the art program and to produce a finished product. Within one semester, Doc was able to design a program that exposed our club members to a myriad of experiences and opportunities within the arts. During my 3 year tenure as Unit Director, our organization has not produced works that held the same level of significance or had as lasting an impact as Doc's. Under Doc's supervision and instruction, our club members learned cultural and contemporary dance, improvisation, various stage techniques and were ultimately able to perform in a revised version of, The Wiz, (adapted by Doc himself).
The average Boys and Girls Club member comes from a low to middle socioeconomic background and has little to no exposure to the performing arts. Doc was able to take a very straightforward and strategic approach to motivate and teach our club members. He was able to tactfully create an environment of enthusiasm and inclusion amongst club members. Doc was able to immediately determine the social and emotional needs of his students and use those deficiencies as a way of connecting with the students. This approach strengthened Doc's influence in the club members' lives and eventually added reputability to the entire pro-gram.
Doc showed himself to be the utmost professional, always having done the pertinent research for his pro-gram and being thoroughly prepared. His method of teaching was very tactful. Because he was prepared, knowledgeable and concerned, Doc was able to adapt to whatever the situation at hand and use any teach-able moment to relate to and motivate a child. Doc did not limit himself to teaching within the club, he understood that to motivate a child to their maximum capacity that he needed to understand their environment. On a number of occasions he went out into the community, talking to parents and garnering their support, or taking club members to outside functions such as the local poetry night to further nurture the club members' appetite and appreciation for the arts.
Doc was a delight to work with. He is a professional who is business minded and totally committed to his craft. Doc understands process and procedure and is a systematic thinker. He demonstrated the ability to lead as well as follow. Without a doubt, Doc's deposit of talent has added to the quality of the program at the Boys & Girls Club of Greater Lee County."
Derika Gary
Unit Director
Boys & Girls Club of Greater Lee County
Better to write for yourself and have no public, than to write for the public
and have no self. - Cyril Connolly (1903 - 1974)
POEMS
[ CHANGES ]
paradise is
by no means
lost
it's only out grown
what we know
it for
there's blackjack now
and politics
and the occasional
corner
store
robbery
[ CONUNDRUM ]
I've got these
ideas
and they've
got theirs
and they've
got
flaws
and I
can hardly
carry the weight
of mine
alone
MY THOUGHTS & OPINIONS
4.21.12 // GETTING ANTIGRAVITY (book draft preview)
Speaking clearly is a skill - one that can be learned whenever desired. However, I think it is becoming less and less of an acknowledged tool. Many people (especially young adults) present their thoughts, opinions, goals, ideas, and even hard earned education on a rusty, germ infested hubcap - rather than a silver platter. Eye contact is rarely ever made, authenticity is replaced with popular cliche, body language screams "I wish I were at home eating cereal," and words fumble out of mouths like burglars sneaking out of windows.
You can't get antigravity this way.
There are, however, people out there who revel in presenting themselves in the face of opportunity. They knock it out of the park every time. Every word they speak is the best word they've ever spoken. They know people are listening. They stand tall, gather their bearings, look us in the eyes, remain confident...and go. Everything they do is an audition. They understand that attention spans are "not so hot" right now, and they have very little time to make an impression. They value their hard work and energy, and therefore choose to present themselves as royalty.
4.16.12 // BLOG : POST NONPROFIT-ISM
This is kind of like...ok, there is no metaphor for it. Not even the exodus from past relationships (including the long ones) rings as this does. I am surprised, however, at my willingness to now take time for myself. Not that I have not been hustling and bustling a bit, or that I can actually afford to take time for myself, but it at least feels like I am. Surely it's the lack of day-to-day anxiety that sat in my breast pocket in trying to hold up such a grand idea as a nonprofit arts organization. I feel lighter; a bit dazed, but lighter.
I am continually thankful for having gone through this experience. I'm even more-so anxious to begin seeing the fruits of the past five years (these would be rewards). That's how it usually happens - you go through a major experience and sporadically, as you move on, you begin realizing, "Wow, couldn't have done that without knowing what I now know."
Writing is my best friend now. She always has been. I've just been a really shitty friend over the past five years. Thankfully, she has a short memory and seems to have forgiven me.
So thoughtful.
4.14.12 // GETTING ANTIGRAVITY (draft excerpt)
Here is a list of things that, through the act of "getting antigravity," we will find ourselves too elevated to fall a victim to :
- counterproductive comparisons
- collective impotence
- barriers of tradition
- aimless influence
- lack of creative motivation
- stress of unlikeness
- fear of change
- varieties of bullshit
- opinion overload
- hindsight
- fear of cold truth or blunt advice
- fear of failure or mistakes
- fear of being alone
4.9.12. // BLOG
Too surreal to have had so much more time to simply think about my personal artistic craft again over the past few days. It's made me slightly bitter - even a bit revengful. But, with patience and perspective, I'll be able to use those feelings for positive productivity. Those feelings will soon mature back into what I would consider my normal drive.
It will be much more difficult to find that creative groove than I first thought. Being away for so long, you lose a great deal of rhythm, as well as very valuable insight as to the current tone of the "working artist" community.
I just have to dive in heard first - again.
Reel May 2012
Short description, you can place Vimeo & YouTube videos or your own local player.
Awards
2007-2012
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